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Alfred Éric Leslie Satie (Honfleur, 17 May 1866 – Paris, 1 July 1925) was a French composer, pianist, and writer.
Over the years, Erik Satie would be described as a precursor of movements and styles as varied as Impressionism, Neo-Classicism, Dada, Surrealism, Conceptual art, minimalism and ambient music. As taking the first steps towards techniques such as prepared piano and music-to-film synchronisation, Satie became one of the first musicians to perform a cameo appearance in the 1924 film, Entr'acte, by the French filmmaker René Clair.
Over the years, Erik Satie would be described as a precursor of movements and styles as varied as Impressionism, Neo-Classicism, Dada, Surrealism, Conceptual art, minimalism and ambient music. As taking the first steps towards techniques such as prepared piano and music-to-film synchronisation, Satie became one of the first musicians to perform a cameo appearance in the 1924 film, Entr'acte, by the French filmmaker René Clair.
Trail link: http://trailfire.com/thebananarepublican/trails/52088
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Summary: http://trailfire.com/thebananarepublican/trailview/52088
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Alfred Éric Leslie Satie (Honfleur, 17 May 1866 – Paris, 1 July 1925) was a French composer, pianist, and writer.
Over the years, Erik Satie would be described as a precursor of movements and styles as varied as Impressionism, Neo-Classicism, Dada, Surrealism, Conceptual art, minimalism and ambient music. As taking the first steps towards techniques such as prepared piano and music-to-film synchronisation, Satie became one of the first musicians to perform a cameo appearance in the 1924 film, Entr'acte, by the French filmmaker René Clair.
Over the years, Erik Satie would be described as a precursor of movements and styles as varied as Impressionism, Neo-Classicism, Dada, Surrealism, Conceptual art, minimalism and ambient music. As taking the first steps towards techniques such as prepared piano and music-to-film synchronisation, Satie became one of the first musicians to perform a cameo appearance in the 1924 film, Entr'acte, by the French filmmaker René Clair.
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Psilodump is the stage name of Simon Rahm (born December 15, 1980, Stockholm, Sweden), a Swedish electronic music artist.
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John Cage put the influence of Zen Buddhism into practice through music. He described his music as "purposeless play", but "this play is an affirmation of life—not an attempt to bring order out of chaos, nor to suggest improvements in creation, but simply to wake up to the very life we are living, which is so excellent once one gets one’s mind and desires out the way and lets it act of its own accord." Hence comes his favorite saying nichi nichi kore kōnichi or, every day is a good day.
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